HUMANITARIAN RESEARCHES

Journal of fundamental and applied researches

MYTHOMOTIVES AS A BASIS FOR SEMIOTIC INFRASTRUCTURE OF WORKS OF THE CAUCASUS

2018. №3, pp. 62-67

Kazieva Almira M. - Doctor of Philology, Professor, Pyatigorsk State University, 357532, Pyatigorsk, 9 Kalinin Ave, kazieva@pgu.ru

Pliss Anna A. - Candidate of Philology, Lecturer at a private school, private school, Nicosia, Republic of Cyprus, k_mika@mail.ru

The works of authors of literary works include a set of elements, among which we can mention such as thinking, memory at the level of archetypes, the author's unconscious. These elements and determine the style of a writer, his own handwriting, by which he becomes recognizable. The reader receives as a result the point of view and thoughts of the author himself, who, undoubtedly, sets the vector of thinking in the work. The author’s vision partially reflects the reality, the existing reality, which must be supplemented by the reader through the interpretation of semantic elements, motives, in this case. Memory at the level of archetypes, taking new complex forms, is present and is found by the reader and critic in every literary work.

Key words: мотив, художественное произведение, интепретация смыслов, архетип, миф, мифопоэтика, авторское бессознательное, «кавказский текст», motive in a work of art, interpretation of meanings, archetype, myth, mythopoetics, author's unconscious, “Caucasian text”

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