HUMANITARIAN RESEARCHES

Journal of fundamental and applied researches

PARCELING AS A STYLISTIC ELEMENT FOR A CREATING OF THE NARRATIVE IMITATION IN THE TEXT OF THE FICTION (on the novel by Jean-Christophe Grange “L’empire des loups”)

2017. №3, pp. 90-95

Samosyuk Natalia L. - Candidate of Philological Sciences, Millitary Technical Institute in Millitary delivery and transport Р°cademy after general army A.V. Hrulerv, Russia, Saint-Petersburg, 22 Saharievscaya st, s.n.l@rambler.ru

The article presents an assessment of the applying the expressive syntax for the creating an illusion of the film narration movement. The novel by the modern author Jean-Christophe Grange «L’empire des loups» was taken to illustrate the working hypothesis. The author uses the parceling method to create a picture montage illusion. The novel «L’empire des loups» is an example of the typical using of the expressive syntax in case of cоnstruction the context between different elements of texts. The parceling takes place in a figuration the plot of the story. Because of using the division of the text appears a suspense connotation that defines a conflict of interest. The second use case of the parceling method demonstrates a potential applying of the expressive syntax to convey the atmosphere of rush pursuit. It is argued that a parceling as a kind of the stylistic mark allows to simulate time and spatial attributes of the narration as it has taken place in the film narration. Illusion оf the film narration is necessary to increase the visual effect this lead to the realistic describing events. The text of that novel has been organized in such a way that we can sense the beat of movement when it’s need for authors purposes in creating the illusion visual effect of live reality. For this reasons it can be argued that using of an expressive syntax in the thriller novel allows to prove that a construction of the metrical type of text creates the semantic communication between different elements of the plot in order to make suspense and visualizing the intensive movement as a necessary prerequisite of the thriller genre.

Key words: парцелляция, саспенс, экспрессивный синтаксис, ритмический рисунок, семиотическая взаимосвязь, триллер, монтаж, кинонаррация, визуализация, подтекст, parceling, suspense, expressive syntax, metrical type of text narration, semantic cоmmunicatiоn, the thriller, picture montage illusion, film narration, visualization, implication

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